Anna Zemánková

 “I am growing flowers that are not grown anywhere else.” 

Anna Zemánková from “The Dawn Drawings of Anna Zemánková” by Jo Farb Hernandez in Raw Vision, No. 14, Spring 1996. 40-45.
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Anna Zemánková is a self-taught artist known for her beautifully abstract and imaginative botanical drawings. Anna (1908-1986) was born in Olomouc, Moravia (now the Czech Republic).  She loved making art as a child but was told to focus on more practical pursuits. She became a dental technician, married an army officer, and devoted her time to raising her children. 

From the outside, Anna’s life appeared full with the busy activities of family life, yet she often felt like she was missing something. She still carried sorrow from the loss of her first born son and began to feel more depressed about the state of her life.

In her early 50s, needing a positive outlet to manage her depression, she turned to art again. One of her three sons was a sculptor, and he happily encouraged her to channel her sadness into art. He helped her buy art supplies and from there her creativity took off. She worked on her drawings in the early morning hours while the house was quiet and still. In the 1970s, Anna expanded her exploration of art, adding collage and embroidery.

Over the years, Anna hosted art showings or “open house” exhibitions. Her work gained the recognition it deserved after being viewed by French painter and sculptor, Jean DuBuffet. (DuBuffet coined the term art brut.) He included several of her pieces in the Collection de l’Art Brut Lausanne, which is the world’s most notable collection of outsider and self-taught art. Zemánková was also included in a show at Hayward Gallery in London in 1979. Since then, her works have been widely exhibited and cherished by many collectors.


More info and artwork images can be found at:
Cavin Morris Gallery
annazemankova.org


Please note that all images are copyright © of the individual artists, collectors, or gallerists and used on this blog for educational purposes. Selling, printing, or repurposing artwork without an artist’s permission is not cool!

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