We discovered The Taconic Sculpture Park during a trip to the Hudson River Valley in New York. Driving along the Taconic State Parkway, we suddenly saw a gigantic sculpture head. It was completely unexpected after taking in the quaint green hills, trees, and idyllic barns along our route.
Located in Spencertown, New York, the park was created by Roy Kanwit, a self-taught sculptor and artist. Kanwit has been working on his park for approximately 40 years. The park consists of about 30 sculptures including the aforementioned giant head sculpture (which is 19 feet), statues of gods and goddesses, and other icons.
The artist lives on the premises and does not mind people coming by to enjoy his artwork, as long as they are respectful. We recommend that you call ahead to check the park’s hours. For the contact information and more details, please visit the park’s website.
Australian artist, Jill Lewis, is a trained artist with a B.A. in Fine Art & Grad Dip Painting from BMIT. This distinction is not necessary to appreciate artwork (in general), but it is interesting to see how her work shares a particular quality that is often seen in the work of self-taught artists.
Her work is reminiscent of primitive and folk art with its playful patterns and animal motifs, and yet completely unique to Lewis’s style and vision. View more of her work at libbyedwardsgallieries.com and www.jilllewisartist.com.
Image Credits: © Jill Lewis www.jilllewisartist.com (top to bottom):
Rivergarden, acrylic on canvas
Journey with friends through gardens, acrylic on canvas
Return of Pegasus, acrylic on canvas.
Simon Sparrow (1925-2000) was a self-taught artist who was born in West Africa and raised in North Carolina. Sparrow moved to Madison, Wisconsin in the 1970s where he was known as a street preacher. Sparrow’s spiritual beliefs crossed over into his artwork. He believed he was guided by “spirit” to create.
Sparrow used unusual materials to create his mosaic-like art, including: jewelry, plastic figurines (like Star Wars figures), beads, pine cones, glitter, and other found object materials. He even covered his car in glitter and found objects.
Sparrow passed away in 2000. In 2012, he was the recipient of a Wisconsin Visual Art Lifetime Achievement Award. His work has been included in several exhibitions and was featured on a 2009 episode of Antiques Roadshow.
We recently worked on a project for kids based on the art of Simon Sparrow. As you can imagine, the kids were excited about using the recycled materials to create their work. We did this project with 6 to 8 year old children, but it can be taught to a range of ages, and the materials can be varied based on skill level. For example, older kids can use hot glue guns. With the younger kids, we used a non-toxic glue, Aleene’s Clear School Tacky Glue. Also, in order to prevent a disastrous glitter mess but still pay tribute to Sparrow’s love of glitter, we used washable glitter pens.
For a full project plan, please click here.
Ashley Pierce is a self-taught artist living in Columbus, Ohio. Born in 1982, Ashley began creating art at a young age. She uses her art as a form of self-expression to help work through complicated feelings about her own life and the world around her. Ashley’s work appears to be fun and uplifting, but behind that there is a deeper and more complex feeling that drove its process. Some of her work are portraits of herself and her family. We are huge fans of letting artists speak for themselves, so below are Ashley’s words:
“I pull inspiration for my work from my life. Most of my subjects tend to be self portraits but some are visitors representing an emotion, feeling, vice or real people. I use my art to navigate my life and often find putting the pen to the wood is like talking to an old friend to work out a problem. I start with an idea and create a very loose sketch on wood. It’s not until I start inking the drawing in until I know if it will work out or not. I find it very soothing to create pattern and repetition as it allows me time to work out the feelings in my head. I use watercolor to stain the wood and colored pencil to bring out the drawing. I finish with a Dremel tool, carving into the wood to create more pattern and texture.”
She is represented by Duff Lindsay Gallery. More of her work can be viewed on their website or on Facebook.
All Images ©Ashley D. Pierce
Mary Ellen Croteau, Tsunami,©2014, 5’X8′
Mary Ellen Croteau, Jia, Uppsala ©2015, 29″x39″ framed
Mary Ellen Croteau, Endless Columns, detail, ©2010 – 2015
Continuing with the theme of recycled and found object art from previous posts, this week’s featured artist is Mary Ellen Croteau of Chicago. She creates art with bottle caps to help bring awareness to the impact of waste on the environment.
Regarding her piece Tsunami (above), Mary Ellen states on her website:
“Tsunami is made mostly of water bottle caps. I personally think that single-serve plastic bottles are a major curse on our environment, and most especially water bottles. Most of us do not need to have bottled water at hand. Getting people used to spending more money for water than they spend for a gallon of gasoline is devious and disastrous for the future of the planet; letting corporations control our water sources is evil.”
I first came across her work in 2012 at Garfield Park Conservatory in Chicago. Her Endless Columns, inspired by the sculptures of Constantin Brancusi, were vibrant towers amongst the greens of the plants and flowers. My 4-year old was very impressed, and from this, we discovered our love of collaborative art making with bottle caps. We will be posting some ideas for bottle cap art projects for kids soon!
To view more of Mary Ellen’s work, please visit her website at maryellencroteau.net.
Continuing with the theme from the previous post, Barry Rosenthal is a Brooklyn based photographer also working with beach plastic. His photo series “Found in Nature” is a collection of discarded objects found on the beaches of New York. The colorful and well-designed artworks make us forget for a moment that the truth behind his work is quite disturbing. Our overuse of plastic has lead to an abundance of waste that keeps going long after its original use. To learn more about Rosenthal’s work, visit his website at www.barryrosenthal.com.
“I am a collector. The beach is my flea market and found objects my inspiration.”
– Barry Rosenthal
All Images ©2013 Barry Rosenthal www.barryrosenthal.com
This blog will often feature art made from recycled objects and other non-traditional materials. I was excited to come across the website of artists Richard Lang and Judith Selby Lang. Their work is an excellent example of using non-traditional materials.
In 1999, the Langs began to collect plastic debris washed ashore at Kehoe Beach, located in Point Reyes National Seashore in California. They have been visiting the same 1,000 yards of shoreline to gather their materials.
Using the discarded objects, the Langs create art ranging from large-scale sculptures to small jewelry. They even embellished a car with found plastic objects. Their work has been in over 70 exhibitions.
Through their work they hope to bring awareness to plastic pollution and its devastating effect on the environment, while also transforming otherwise useless objects into beautiful and imaginative works of art.
Below is an enjoyable and informative video about their work.
To see more of their artwork, visit their website here.
Image Credits: (top to bottom) Bosky Dell, Shovel Bands, Chroma Purple via the artists’ website: One Beach Plastic.
Séraphine Louis (1864 – 1942), also known as Séraphine de Senlis, was a French self-taught artist. She was from the town of Senlis, north of Paris, and worked as a house cleaner. She struggled with mental illness most of her life and seemed to find solace in her paintings.
She worked in solitude by candlelight, creating colorful and whimsical paintings of flowers and plants based mostly on her imagination. In order to afford paint, she made her own pigments using household and plant items, such as red wine, flowers, and candle wax.
Séraphine was discovered by German art collector Wilhelm Uhde in 1912. He was a collector of Henri Rousseau and Pablo Picasso’s work, among other notable artists of the time. Uhde came across a painting by Seraphine at his neighbor’s home where she worked as a cleaner. Uhde did his best to support her work as an artist and included her an exhibition held in Paris in 1928, called “Painters of the Sacred Heart,” The other artists included: Henri Rousseau, André Bauchant, and Camille Bombois.
In 2008, a film by Martin Provost was released about Seraphine’s life. You can view the trailer here.
Image Credit: Séraphine Louis [Public domain], via Wikimedia Commons
Holly Farrell was born in 1961 in North Bay, Ontario. Farrell is self-taught and has been a full-time painter since 1995. She turned to art making as a hobby to de-stress from her work at a group home for teenagers experiencing developmental and psychological obstacles.
Farrell mainly works with oils and acrylics. Her use of color creates a calming effect. Her subjects, which are familiar everyday objects (including many vintage items), seem to be elevated to a higher level, conjuring up a peaceful feeling amongst the chaos of daily living. They are almost portrait-like, asking you to see their personalities.
Personally, I was drawn in by her work due to my photography interests. I often photograph objects that have been discarded or lost in hopes that their former beauty or meaningfulness in someone’s home can reveal itself again. I see some of that in Farrell’s work, too.
“When the objects started to take on a character of their own, I realized I was really painting portraits without any people in them.”
(From Garde Rail Gallery)
Image Credits (top to bottom): ©Holly Farell
Bowl, acrylic & oil on masonite, 12 x 16 inches.
Couch, 2009, acrylic & oil on masonite, 18 x 28.
Phone, 2016, acrylic & oil on masonite, 18 x 14 inches.
Harry Underwood, Flame Vine of Florida. Pencil, latex paint, wood. 36″x 42″.
Harry Underwood, The Pepsi Principle of Refreshment. Pencil, latex paint, wood. 3’x 4′.
Harry Underwood, Sit. Pencil, latex paint, wood. 26″ x 26″.
Harry Underwood is one of my favorite painters. I first saw his work at the Outsider Art Fair in Chicago about ten years ago and immediately purchased a piece (which was a rare occurrence back then). It’s hanging above me as I write this.
Harry was born in Florida in 1969 and currently lives in Nashville, Tennessee. He is a self-taught artist who began painting in 2001 while working as a flooring installer. Harry dedicated his spare time to working on his art, and his persistence eventually paid off. His work is represented by several notable galleries and has been in shows in the United States, France, and England.
Harry’s paintings evoke a sense of nostalgia and are slightly surrealistic. They conjure up feelings of simplicity, summertime vacations, childhood memories, and a longing for another time or an imagined place. The nostalgia is enhanced by his use of beautifully subdued and expressive colors.
His process involves outlining his painting on plywood using a mechanical pencil and then filling it in with latex house paint. The pencil marks become part of the picture, adding an extra element to them. He also layers poems and words onto his paintings, and has referred to his work as “illustrated poetry.”
“And there’s no truer sound than a sound never found from the shy, the innocent, and the unknown.”